trent alvey biograhpy image

Trent Thursby Alvey

Trent Thursby Alvey is a mixed-media artist who uses painting, sculpture, and light and sound technique in the creation of works that have been called both pop and contemporary.  Thursby has exhibited in significant one-person and group shows including Out of the Land, which traveled to The National Museum for Women in the Arts in Washington, DC. Toaster Worship, Thursby's sculptural piece included in this National exhibit, was recently acquired by the Museum of Fine Art at the University of Utah for their permanent collection.

Trent has been included in both editions of Artists of Utah written by Robert S. Olpin, William C. Seifrit, and Vern Swanson (last edition 1999, published by Gibbs Smith Publisher). Trent was chosen as one of twenty Utah artists to be part of the Women Beyond Borders exhibit at Art Access Gallery during the 2002 Winter Olympic Games in Salt Lake City.  The Utah exhibit became part of an international collection including work from women in 33 countries. Trent’s work is also included in Utah Artists Project/ J. Williard Marriott Library’s (University of Utah) digitized collections of selected Utah artists.

Dolores Chase, art collector, regarding Trent's work, "She has done many brave and ambitious pieces over the years, one of which I own. She continues to grow and experiment—often combining disciplines in enigmatic ways, one of them being her wave theory/physics installations in steel and neon.  She takes risks and always creates compelling and thought-provoking work."

Trent earned BFA degrees in Fine Art and Communications at Westminster College of Salt Lake City in 1986, where she studied painting with Don Doxey.

Solo Exhibition History: Salt Lake City, Utah unless otherwise stated:

2007 - Painting and Assemblage Salt Lake Main Library, Tribal Portrait: Beauty and Brutality
2006 - Phillips Gallery, solo installation, Propensity for Repetition
2006 - October, Phillips Gallery, 2005 - Kimball Art Center, Park City, Utah
2003 - Patrick Moore Gallery, New Work from sub-Saharan Africa
2001 - Installation, Art Access, Blue Lotus Lake
2001 - Installation, Finch Lane Gallery - Frequency Manifests Form
1998 - Installation, Finch Lane Gallery - Encountering Energy
1994 - Installation, Finch Lane Gallery - Five Realities Group Exhibition History: Salt Lake City, Utah unless otherwise stated:

2008 - Present Tense: a Post 337 Exhibit, 7/08 Salt Lake Art CenterArt Partners Exhibit, 7/08 Art Access Gallery
2008 - 300 Plates, 7/08 Art Access
2008 - Untitled, 7/08 Rio Grande gallery
2007 - 337 Project, 7/07 Graffiti Building, 140 artist collaboration
2006 - Rio Gallery
2006 - Phillips Gallery
2006 - Art Access
2005 - The Painting Center, Crossing the Line, New York City
2005 - Springville Art Museum’s Spring Gala, Springville Utah.
2004 - Women's Art Center
2004 - Kimball Art Center, Park City, Utah
2002 - Art Access, Women Across Borders artists from over 30 countries exhibited during the Utah Winter Olympics, SLC. UT
2002 - Bountiful Davis Art Center, Visions Olympic Exhibit, Bronze Award, Bountiful, UT
2002 - Bountiful Davis Art Center, The Nature of Abstraction three person exhibit, Bountiful, UT
1993 - National Museum for Women in the Arts, Washington D.C.


Special Awards and Distinctions

Private Collections

Private Collections: Martha Kongsgaard, Kongsgaard Goldman Foundation;
Terry Tempest Williams, author;
Ruth Lubbers, Director of Art Access Gallery, SLC;
Pam Crowe Weissburg, director Kimball Art Center, Park City, UT.
Dolores Chase, art collector, SLC; Tom and Ann Hearn, London UK. 
Elaine Harding, professor, Australia.


Upcoming Exhibits

Art Access Gallery – Partners Exhibit – group - October 2006, SLC, UT
Phillips Gallery – Solo Exhibit - October 2006, SLC, UT
Salt Lake Library – Two-Person Exhibit - February. 24, 2007, SLC, UT

Artists Statement

The work represents a slipping glimpse or a lateral perception that is brought to the surface of my senses and recorded on canvas. The painting or sculpture finds repetition or memory patterns that are familiar. This kind of exploration helps make sense of the literal world, revealing it to be a pattern of interdependence and dichotomy. Art brings seemingly isolated events into a larger pattern. Since my eighth grade teacher first introduced me to the language of art, I have found refuge, release and insight there. For me, art is the process of letting go.

My new series of work entitled Repetition is an exploration into the primal process of repeating movements. It is an encounter with the order (order in chaos) found in non-linear thermodynamic systems such as water, ocean, waves, wind, clouds, fire and flames. This work focuses on repetition as the source of  ancient memory, as well as, the anchor of visual intrigue. Understanding the primordial satisfaction of finding reoccurrence in everything we see and experience is what has sustained humans since our beginning. The sun rising, the tide repeating, the seasons returning, the breathing of our bodies, have sustained our trust and given us comfort that we will prevail another day.

Trent Thursby Alvey in her Salt Lake Studio

trentalvey@xmission.com